Within a week, they were unloading this lamp and asking us to set up a test panel. Keep in mind that the only difference between this product and conventional primers is how – and how fast – it cures. You still need to sand for adhesion, clean contamination from the surface and observe all personal safety precautions – such as gloves, respirators and spraying in a well-ventilated area.
One of the drawbacks to this primer is that it's only designed for small spot repairs since the lamp can only radiate an area about the size of an 8 by 11 sheet of paper. It's specifically designed to repair scratches, chips, small dings and dents.
Once the lamp was set up, we sanded a small area on a door panel with 320-grit DA paper. Following the manufacturer's instructions, I sprayed five consecutive coats over what was once a scratch on the door panel, right onto the bare metal. No base anti-corrosive primer is necessary. As a matter of fact, you can spray this liquid directly on just about anything: steel, galvanized steel, aluminum, OEM primer and original finishes, and almost all plastics with the exception of polyethylene (the really soft plastic). And just about everything can be sprayed over it without adhesion promoters.
Did I mention that this only comes in an aerosol spray? Quite pricey, too, at $50 per can. But the upside is obvious – no mixing, no cleaning spray guns and no waste. Another benefit is that we only have to mask a small area because we aren't dealing with a large overspray problem, again another time and material saver.
We rolled the Star Wars-looking lamp (which we'd turned on a few minutes earlier because mercury vapor lamps need a few minutes to warm up before they run at full intensity) over to the panel and positioned it about 10 inches away.
Until we rolled the lamp over, all we saw was a very translucent film on the repair. We could see right through it. This is necessary so the ultraviolet rays can penetrate all the material and the "curing" can take place.
Once the lamp is in position, it has one of those '60s "black light" appearances. This is because they put a special additive into the primer so it'll become visible and glow under the light. We set the neat little timer at two minutes and pushed the button.
While waiting for the alarm to go off, Tom gave us a brief explanation about how this stuff actually works. In the old days, everything we used needed to dry. In other words, when the solvents evaporated out of the liquid, we were left with a solid. This could sometimes take months for a (complete) cure. Then in the late '60s, we used acrylic enamel with a catalyst. This used a combination of solvent evaporation and cross-linking of isocyanates. Two-part urethanes (true plastics) also use a cross-linking to form an even more stable cure (actually two different chemicals forming a third new one).
UV curing works on the same principle as the urethane: A chemical reaction takes place, and a new chemical is formed. This is achieved by a photochemical process. We'd all fall asleep if I got into an explanation of how free radicals, electrons and molecules accomplish this, and that's not really necessary anyway. The point is, it's lightening fast! No solvents to be evaporated. What you see is what you get. Absolutely zero shrinkage.